As the Assistant Sound Designer for the production of Dead Man’s Cellphone, I played a key supporting role in any way possible. I collaborated closely with the lead sound designer and composer, assisting with everything from refining sound paperwork and editing technical documents to helping load in and strike equipment. I was present for the entirety of the creative process, attending all design and production meetings where I gathered information from the director and other design teams useful to the sound team. During tech week, I assisted in documenting sound cues, and helping troubleshoot any sound-related issues that arose, ensuring that the audio had no issues.